I first encountered a Uriah Heep’s recording back in 1976. It was a bad
mono copy (which sounded faster than the original) of “Dreams”. There was
something interesting about the arrangement, especially the choir in the
middle of the song. A little bit later there was another mono one-channel
tape copy of “Salisbury”. I was really enchanted. It was something I had
never heard before, a world of its own. The continuation of my story was
more or less descriptive of many people who like Uriah Heep. Between 1976
and 1980 I was surprised by the changes in the music of the band from
“Look At Yourself” and “Magician’s Birthday” to “Innocent Victim” and
“Conquest”. My impression of the changes and reaction to them was, probably,
quite typical. However, the songs that drew my attention from the very
beginning were the unpopular ones: “We Got We”, “A Year Or A Day”, “Spider
Woman”, “Dreammare”, “One Day”, “Traveller In Time”, “Time To Live” and some
others.
Listening to “The Spell / Paradise” piano solos I started learning to play
keyboards though I have never had any formal education in music. One of the
highlights of my Uriah Heep journey has been meeting with the band and fans. I
was lucky to take part in Heepvention ’02 in Lawrence, NJ.
I have been an electrical engineer for about 18 years albeit a graduate
student at the moment.
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